After two years oprecipitation,Zhibai Design has moved from the 1.0 era to the 2.0 era. Our white box has also doubled compared to before. We hope to break the original living scene and upgrade it to artistry in the new office space. , Improve the temperament of the space. As our own Party A, we use \"Zhi Bai Shou Hei\" as the source of space design, and interpret the understanding of \"Zhi Bai\" in terms of space and vision.我是在嘗試探究一個叫做”白“的實體，以找到由人們自身文化設定的那些感覺之源。
I am trying to explore an entity called \"white\" to find the source of those feelings set by peoples own culture. In other words, I tried to find the source of simple and subtle Japanese aesthetics created through the concept of \"white\".在某些情況下，白意味著”空“。
——原研哉In some cases, white means \"empty\". White is transformed into a symbol of \"nonexistence\" as \"no color\". But being empty does not mean \"nothing\" or \"zero energy\". In many cases, it actually refers to a state, or \"before the machine\", which means novice: it will be filled with content in the future. Based on this assumption, the use of white can form a powerful energy for communication.——Kenya Hara入口·Entrance
\"Black\" and \"white\" are naturally opposite, corresponding to \"dark\" and \"bright\" respectively. Black and white are relative and coexist. If you know why white is white, you know why black is black, and you know that black and white are possible. Mutual transformation. The space entrance enters from a black wall into a white space, and then into a curved space. The transformation of space is in different combinations and connected in series. The relationship of different directions and scales presents interesting contrasts and relationships. Rhythm, private to open, narrow and relaxed, dark and bright, and convey different spatial emotions.
Although squares,circles and triangles are rooted in traditions that will never go out of style,once the traditions become rigid and copied in large quantities, it is aburden. Modernism, like all styles in the past, stands on the side that it onceopposed and becomes the shackles of architects.圓在視覺形態上可以是點、線的構成，甚至形成面的處理。
In terms of visual form, it can be the formation of points and lines, or even the processing of forming surfaces. Gives people a focused visual experience, the performance is direct and clear, easy for the audience to understand and remember, and easy to attract peoples attention. The circle is called a perfect graphic, and it is very inclusive. It can be matched with almost any shape of the element layout. It is intuitive. The circle is not as sharp as the square, giving people a more easy-going and warm feeling. The reconstruction and innovation of the circle in the space, the choice to the semi-curved surface, and the abstraction of the circular figure are the exploration of the use of new figures.
The arc-shaped walls are intertwined with each other. The transparent and semi-permeable space increases the “breathability” of the space, creating an ambiguous and soft space boundary. The arc-shaped space encloses and blurs the tension of the space and adds The fun of space. The curvilinear enclosing form of the reception space is not as plain as a straight line, nor as blunt as a broken line. It has some soft but free and easy, humble but unruly feeling.
Three elements of composition: segmentation, viewpoint and balance. Todays classification is based on segmentation and geometry. Basically, it will never escape from the three basic geometries: square, triangle and circle. These three simplest geometries can be compared to the three basic pillars in architecture.
The white cube is a simple box, and the core of the space is positioned through the volume of the cube, highlighting the focal point of vision. The basic geometric form has long occupied the commanding heights of aesthetics. The entire black louver is used to intensify the visual center, and the spatial focus is placed in the outdoor urban exterior scenery, highlighting the urban landscape. The entire box is given simple and pure colors and materials, and the folding line from the ceiling to the wall presents a rich and interesting spatial composition and a sense of level extension.
The large and small boxes are stacked on each other, and the basic squares are combined to produce different positive and negative spaces. They are connected in series in different combinations to meet various functions. The setting of the fireplace reflects the movement of the space and the space for improvement. The overall atmosphere.
電話間·Telephone room時空 / Time And Space時空指的是在我們對於物體之間的空間以及事件之間的時間的集體經驗的基礎上所構建起來的任何的外在現實。
Space-time refers to any external reality constructed on the basis of our collective experience of the space between objects and the time between events. Each time and space runs in accordance with a certain rule. They are parallel. Generally, there is no crossover, but there is a time sequence. However, in exceptional cases, time and space cross and instantaneous space is disordered.
As a central axis space, we made two scenes in a small space. In the space, we simulated a vacuum space as a telephone room, giving people a quiet, small grid space, and one for making private calls. The space allows other people in the office to not be disturbed and improves efficiency. It also creates a space scene, which dramatically merges the real space and the unreal space, and different time and space are intertwined, creating a huge contrast.
辦公區·Workspace序列 / Sequence空間序列是指按通過一定的流線組織空間的起，承，轉，合等變化。
Spatial sequence refers to the organization of the spaces rise, inherit, turn, and union changes according to a certain streamline. In the field of architectural design, designers often try to follow this sequence of changes to highlight the artistic harmony. At the same time, the spatial sequence aims to focus on the interrelationship between urban space and the environment, emphasize the continuity and organizational relationship of its space, and show a sense of organic order.
The organization of the office area through the sequence space is based on the premise of satisfying the various functions of the office area space, enriching the details of the form through repeated changes, and forming the spatial sequence with the rhythmic configuration of opening and closing, rapid, tight, etc. The material counter and the bar counter are integrated, and the black and white space integrated with the ceiling cabinet implies the division of space and separates it from the office area.
The curve expresses akind of soft beauty, like a womans fullness, sensibility, lightness, softness,flow and other characteristics. The use of curves is mainly to break thedivision between the linear space and the environment, and to transition thespace through soft curves.
182㎡ 設計時間 | 2020 .10周海飛，王子林，田靜 ，況偉峰LA’BOBO巖板，莫洛尼壁爐，沃倫系統窗，芬琳乳膠漆，梵品木飾面，IRON.PLUS系統內門，黑色噴砂不銹鋼，超白玻璃銳馳，舒梵，奧卡姆拉，MAGIS，HAY