Yu Qingcheng Gallery Architectural Design and Research Institute of Tianjin University

架構師提供的文本描述。於慶成是世界著名的泥塑藝術傢,在中國和國外享有盛譽,獨特的風格為自己開辟瞭一條新路。
Text description provided by the architects. Yu Qingcheng is a world famous original clay sculpture artist who is renowned in China and oversea, the unique style strike out a new line for himself.
Courtesy of Architectural Design and Research Institute of Tianjin University
天津大學建築設計研究院提供服務

用情緒化的詞來形容這個設計是“抱泥”,理性的詞是“多層面的”。思維是近幾年設計師的一個主要思想,他提出瞭“多種”的新概念-從一開始到最後,建築充滿瞭運動,在不同的末端有兩種或兩種以上不同的形式,這種形式不是結果,而是一個過程,一個不斷流動和變化的物理空間,一個從靜態到動態的過程,時空演化過程。一個物體生長的過程,一個非聚焦的建築,一個從線性到非線性的幾何成分,具有拓撲和分形特征。
To describe this design with the emotional word is \”hold mud\”, rational words is “manifold”. The thinking is a main idea of the designer in recent years, he put forward a new concept of \”manifold\”— From first to last,the building is full of movement and has two or more different forms at the different ends, the form is not a result but a process, a continuous flowing and changing physical space, a process from static to dynamic, a temporal spatial evolution process. a body growing process, a non-focus building, a geometrical composition from linear to nonlinear changes with both topology and fractal characteristics.
Courtesy of Architectural Design and Research Institute of Tianjin University
天津大學建築設計研究院提供服務

這個畫廊的物理空間有十個變化:1:力學-從靜態到動態的形狀,2:從直線到曲線,3:平面圖-從大到小,4:光學-顏色從暗到光,5:測量-表層從厚到薄,6:從寬到窄每個面磚的間隙,7:質地從粗到光滑,8:維-空間從二維到三維,9:性格-氣質從粗糙到柔軟,10:哲學-從陰到陽的屬性。
Physical space of this gallery has ten changes: 1: Mechanics—- the shape from static to dynamic, 2: Differential—- line from straight to curve, 3: Level—- block from large to small, 4: Optics —-color from dark to light, 5: Measurement—- surface layer from thick to thin, 6: Mete-rage—- gap of each face brick from broad to narrow, 7: Physical —-texture from coarse to smooth, 8: Dimension —-space from two-dimensional to three-dimensional, 9: Character —-temperament from rough to soft, 10: Philosophy—- attributes from Yin to yang.
Courtesy of Architectural Design and Research Institute of Tianjin University
天津大學建築設計研究院提供服務

1996年,西藏大師阿方索·卡魯波切(Alfonso Karupoche)寫瞭一本書“西藏死者之書”(The藏籍of the Death),他說:“科學傢告訴我們,整個宇宙隻是變化、活動和過程-整個變化的流動”,“生與死被視為一個不斷變化的過渡實體的連續序列”。
Tibet master Alfonso Karupoche wrote a book   in 1996 which sold around the world, he said\”: scientists tell us, the whole universe is just change, activity and process — a whole flow of change \”,\” life and death were seen as a continuous sequence of transition entity in a changing\”.
3.9 Meter High Plan
3.9米計劃

美國評論傢羅傑·休伯特說:“每一個熱愛電影的人最終都會到達小祖的視野,把握影片的本質是在運動與靜止之間的選擇。”
American critic Roger Hubert said \”every people who love movies will eventually arrived at Yasujiro Otsu\’s vision, grasp the essence to the film is the choice between movement and stillness.\”
Courtesy of Architectural Design and Research Institute of Tianjin University
天津大學建築設計研究院提供服務

科學、宗教和藝術三者有許多共同之處。
Science, religion and art three have much in common.
我們過去習慣於建築物是正方形的,或者是在直線或曲線上的圓形底座,這座建築有正方形和圓形的直線和曲線,這是不符合邏輯的。曲線與線性不再相反,而是由同胚、非同胚到一系列拓撲非線性變換。
We used to be accustomed to that a building is either square or round \\bases on either straight line or curve, this building with both square and round\\ straight line and curve is not logical. Curve and linear are no longer in contrast, but changes from the homeomorphism, non homeomorphic homotopy to a series of topological nonlinear transformation.
Courtesy of Architectural Design and Research Institute of Tianjin University
天津大學建築設計研究院提供服務

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